Pathology of Paint and Petrefacts of Power

————————  ———— work in progress—————————— Feast Paint 13

Feast Paint 17

Feast Paint 9

Feast paint 5 Feast Paint 1

 

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Further pebbles on the path

Los Caprichos

Los Caprichos

Los Caprichos

Los Caprichos

Los Caprichos

Los Caprichos

Los Caprichos

Los Caprichos

Francisco de Goya: ‘Los Caprichos’ (parts of the article from Wikipedia)

“In 1799 Goya published a series of 80 prints titled Caprichos depicting what he described as “the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance, or self-interest have made usual”.[19]

The dark visions depicted in these prints are partly explained by his caption, “The sleep of reason produces monsters”. Yet these are not solely bleak in nature and demonstrate the artist’s sharp satirical wit, particularly evident in etchings such as Hunting for Teeth. Additionally, one can discern a thread of the macabre running through Goya’s work, even in his earlier tapestry cartoons.[note 1] Mostly popularist in a rococo style, the cartoons were completed early in his career, when he was largely unknown and actively seeking commissions. In 1774, he was asked, on behalf of the Spanish crown, by the German artist Anton Raphael Mengs, to undertake the series. While designing tapestries was neither prestigious nor well paid, Goya used them, along with his early engravings, to bring himself to wider attention.[20] They afforded his first contact with the Spanish monarchy that was to eventually appoint him court painter.[21]”